Welcome to the rebellion.
As the Toronto International Film Festival gets bigger and bigger, it becomes more of a challenge to get into any screenings without advance planning months ahead of time. It got to the point where I would just buy the program book and read it over the course of the festival from the comfort of my couch. Now even that seems like too much work, which probably reveals more about me than it does about TIFF.
I find it easier to look at a festival like Sundance from a comfortable distance, where I don’t have to take line-ups and sold old screenings personally. So a quick tour around the net has helped to identify some of the genre films making their debuts this week at Robert Redford’s little, Park City, Utah film festival that could.
Keep your cybernetic implants on the look out for these genre films. First up, let’s check out the bumper crop of shorts thanks to io9.com and wired.com.
The future of sci-fi is becoming more and more of a global phenomenon and the so-called Third World countries are the new torchbearers. Last year Mexico led the pack with the debut of Alex Rivera’s Sleep Dealer.
After the holiday success of the South African-shot District 9, it’s not surprising that there’s some big buzz at this year’s fest surrounding director Wanuri Kahiu’s Kenyan short, Pumzi, produced by Simon Hansen, who also produced the short District 9 was based on, Alive in Joburg.
Pumzi takes place after a “Water War” has pretty tapped out the Earth’s supply of water and fresh air is the ultimate commodity. Kahiu tapped into the environmental realities faced Kenya and other small, economically-challenged countries today and projected them into a potential future. But she also looked to the past for inspiration, according to this Pumzi interview at Underwire.
But to produce Pumzi, Kahiu looked to the past, as well as the future.
She researched classic 1950s films to create her movie’s futuristic sets, comparing the processes of matte painting and rear-screen projection with indigenous African artwork.
“We already have a tradition of tapestries and functional art and things like that, that loan a backdrop for films,” Kahiu said.
Pumzi may be the “pure speculative fiction”, lit pick of the fest but for sheer entertainment value, La Petit Dragon looks like pure, fresh-squeezed fun juice. The premise supposes the Dragon spirit of Bruce Lee was reincarnated in a doll’s body thirty years and is finally freed from his box.
The That’s Just Wrong Award goes to "N.A.S.A. – A Volta", for it’s “ulta-violent” drug deal gone wrong and "Please Say Something" may be the final word on the age-old game of cat and mouse.
The other short getting a lot of buzz is director Spike Jonze’s 30-minute short, I’m Here. After mining movie magic from Maurice Sendak’s children’s book classic, Where the Wild Things Are, Jones returns to literature aimed at the young but read by all, taking his inspiration from Shel Silverstein’s The Giving Tree. According to the Hollywood Insider…
The director admits to the Silverstein influence, adding that he named his main character Sheldon in honor of the 1970s poet and storyteller. “I was trying to take the influence of The Giving Tree, but write about relationships,” says Jonze. “I love Shel Silverstein. I just love him.” Jonze hired Andrew Garfield (The Imaginarium of Dr. Parnassus) and Sienna Guillory to don robot costumes, while his special effects crew did a fantastic job drawing emotions out of robot heads that resembled the old Apple Macintosh Classic computer.
I remember being moved by The Giving Tree as a kid only to return to it as an adult and see it as an ode to an extremely abusive, one-sided relationship from which the selfless victim never escapes, even in death.
Good luck with that, Spike.
Next: Feature Length science fiction films rock Sundance.